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Themyscira seems a realm outside of time, but the filmвЂ™s 1918 setting abruptly announces itself in the form of a crippled German warplane that crash-lands in the ocean just beyond the islandвЂ™s shores. By the time sheвЂ™s reached adulthood, Diana (Gadot) is ready to take on all comers, her traditional battle skills augmented by supernatural abilities of which sheвЂ™s only partially aware. Fortunately, her aunt Antiope (Robin Wright, cutting an imposing figure and affecting a strange accent) is the tribeвЂ™s chief field general, and she agrees to train the girl in secret. Yearning to learn the ways of her fellow Amazons, Diana is shielded from combat training by her mother Hippolyta (Connie Nielsen). On guard against AresвЂ™ possible return, the Amazons have all dedicated themselves to the arts of combat.ДЄll, that is, except young princess Diana (Lilly Aspell at age 8, Emily Carey at 12), whoвЂ™s the only child on the island. Drawn in lush, misty colors, the island is a sanctuary for the tribe, sheltered by Zeus, whom they helped in fighting off a coup from the war god Ares.

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And perhaps more importantly, itвЂ™s almost entirely free of the distracting cameos and seeding of future filmsвЂ™ plotlines that so often keep modern comic-book films from functioning as satisfying standalone stories.ДЄfter a brief prologue in modern-day Paris, the action whisks us away to the secluded island of Themyscira, home to the all-female society of Amazons. Like far too many films before it, вЂњWonder WomanвЂќ offers yet another origin story, but at least itвЂ™s one we havenвЂ™t already seen several times onscreen. In her earliest iterations, Wonder Woman was an all-American figure with a mythical background here, sheвЂ™s an essentially mythical force who just happens to fight for America.

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With most of the filmвЂ™s presumptive audience too young to remember TV Wonder Woman Lynda Carter, Gadot and Jenkins have an unusually broad license to introduce the character to filmgoers, and they remain largely faithful to her comics origins while also crafting a hero who is both thoroughly internationalist and refreshingly old-school. Superman,вЂќ вЂњWonder WomanвЂќ assumes no foreknowledge of any previous franchise entry - or of the character herself, for that matter. Never prone to stewing in solitude, and taking more notes from Richard DonnerВ than from Christopher Nolan, Patty JenkinsвЂ™ вЂњ Wonder WomanвЂќ provides a welcome respite from DCвЂ™s house style of grim darkness - boisterous, earnest, sometimes sloppy, yet consistently entertaining - with star Gal Gadot proving an inspired choice for this avatar of truth, justice and the Amazonian way.ДЄlthough GadotвЂ™s Diana Prince had a decent chunk of screentime in last yearвЂ™s вЂњBatman v. assembly lineВ have given us sporadically successful, demythified takes on Batman and Superman, but theyвЂ™veВ all seemed skeptical, if not downright hostile, toward the sort of unabashed do-gooderism that DC ComicsвЂ™ golden-age heroes exemplified.

Sure, previous entries in the Warner Bros.

It may have taken four films to get there, but the DC Extended Universe has finally produced a good old-fashioned superhero.